In order for your octave or pitch-shift pedal to work its magic, it needs to be able to accurately detect your signal. Every note you play will have a perfect harmony added on top! This is more commonly used for vocalists who want a rich, layered sound, but when applied to guitar it can make for some really interesting effects! With harmonisers, you choose the musical key that you’re playing in, you choose your interval, and the pedal does the rest. …this brings us onto harmonisers! ‘Harmony’ is defined by the Cambridge English Dictionary as “a pleasant musical sound made by different notes being played or sung at the same time”. You can mimic different tunings, reach higher or lower notes than your guitar allows, or create abstract textures that sound less and less like guitar the further you go! And as with octave effects, you often have the option to either blend the effect with your signal, or remove your signal completely, opening up a world of tonal opportunities. The idea behind a pitch shift effect is that it doesn’t just shift by octaves, it can shift by any chosen interval. You can fatten up riffs by adding lower octaves to the mix, add extra sizzle to your leads with higher octaves, or drop your sound down by an octave or two and pretend you’re playing a bass.and much, much more! Most octave effects allow you to either blend the affected note with your original tone OR remove your original tone from the mix entirely. Some pedals even allow you to layer multiple octaves, creating an organ-like effect. Instead of shifting by just 12 notes (1 octave), they can shift by 24 notes (2 octaves), or even 36 notes (3 octaves), allowing you to create really unique sounds. Some octave effects can also shift by more than 1 octave. This means that if you play a C note through an octave pedal, you’ll still hear a C, but it’ll be either an octave higher or lower than you played it. So the idea of an octave effect is that it takes the note that it detects, and shifts it by exactly 12 notes either up or down. So if you start with a C note and ascend 12 notes (12 frets on a guitar), you end up on a higher C. You may already know that musical notes repeat themselves in a seemingly endless cycle. In Low Pass Filter mode, the knob cuts highs in the Sub and Octave Up voices, while High Pass Filter mode cuts lows in the Sub and Octave Up Voices.In musical theory terms, an octave is the distance (also known musically as an ‘interval’) between two of the same note. In this mode, the EQ is applied to all 3 voices. In Tone Mode, the knob acts as a tilt-EQ with a flat frequency response in the center, more treble and less bass as you turn the knob clockwise, and less treble and more bass as you turn the knob counterclockwise. The TONE knob features three modes controlled by the FILTER button. These three controls act as a mixer for infinite possible voice mixes. The 3 mode Tone control lets you tailor your sound to fit into any pocket no matter how massive or small.Ĭontrols on the Pico POG include dedicated volumes knobs for the SUB OCTAVE, OCTAVE UP, and DRY voices. Perfectly blend 3-voice tones for fat synthy madness. Add Octave Up for ethereal air or max it out to shred into another galaxy. Dial in Sub Octave to add stumble rumble or monstrous thunder. The EHX Pico POG features a lighting fast feel that will track every note and chord you play with precision. The tightest octave effect now fits on the tightest of pedalboards. The Pico POG takes the streamlined simplicity of the Micro and Nano POGs and fits it all into an ultra-compact chassis and adds a powerful tone control. EHX’s smallest and most powerful compact Polyphonic Octave Generator yet.
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